BLOOM’S BROOM

Sat, 26 OctoberFri, 22 November, 2024
ShugoArts Roppongi

In James Joyce’s Ulysses, Leopold Bloom wanders around Dublin throughout the day.

 

When you sweep the ground or floor with a broom, it makes a swishing sound.
The ground and floor is like a record, and the broom is like the needle of a record player.

 

The Earth is like a giant record,
and we generate sounds every day with our feet, like the needle on a record.

Yukio FUJIMOTO, September 2024

About Exhibition

At ShugoArts, we will be hosting a solo exhibition of Yukio Fujimoto, marking his first show in four years since the 2020 online exhibition. In this exhibition, we will cover the gallery floor with 800 unglazed tiles and present BROOM (TILE). This work comes to life by allowing the viewers to walk on the tiles themselves, while the process of their weight gradually causes the tiles to make sound and crack. Our bodies, like the needle drawn to a record, are constantly in contact with the Earth’s surface due to gravity, generating various sounds through friction and vibration. The tile work was first presented in 2002 at a gallery in St. Ives, a pottery town in southwestern England. Since then, it has been reinterpreted and recreated in various locations, including the Otani Memorial Art Museum in Nishinomiya and as part of the Growing from the Soil art project in Mino. This will be the first presentation of the series in Tokyo, offering a rare opportunity for attendees to participate in the artwork.

ShugoArts
ShugoArts

Three images above are all taken in 2007 at the Otani Memorial Art Museum, Nishinomiya city, Photo by Kiyotoshi Takashima

Additionally, this exhibition will feature new pieces from Fujimoto’s long-running SUGAR series. In SUGAR, cubes of sugar are placed in a glass tube and spun, causing the sugar to gradually collide and break apart, ultimately transforming into a pure white granulated form.

ShugoArts

Yukio FUJIMOTO, SUGAR II, 1997

Since the 1980s, Yukio Fujimoto has been creating works that provoke new perceptions. These include CHAIR WITH EARS, which allows the audiences to listen to the surrounding environment and the exhibition space through artificial ears that are almost two meter-wide, and DELETE, where the viewers visually recognize labels on grooveless records so that they can play music in their heads. In this exhibition, we will explore how readymade objects transform into different forms through the invisible forces of gravity and rotational force, prompting questions about the nature of the things we perceive as everyday realities. Please join the exhibition and experience the works.

ShugoArts, September 2024

Information

Yukio FUJIMOTO "BLOOM’S BROOM"
Dates

26 October – 22 November, 2024

Venue

ShugoArts

Hours

11am ‒ 6pm, Closed on Sun, Mon and Public Holidays

Dates

7 November – 10 November, 10am – 6pm

Due to our participation in Art Week Tokyo, we will be open irregularly on the above dates.

Opening reception
Date&Time

26 October, 5pm – 7pm

Venue

ShugoArts

The artist will be present.

Yukio FUJIMOTO

Related Exhibition & Event

ART in MINO, Growing from the Soil, 2024
Dates

Fridays, Saturdays, Sundays and Public holidays from 18 October to 17 November, 2024

Venues

Tajimi / Mizunami / Toki cities in Gifu Prefecture

For further information, please check the website above.
Art Week Tokyo
Dates

7 November – 10 November, 2024

For further information, please check the website above.
Please get off at E2 or E4 if you are taking the Art Week Tokyo shuttle bus.
Yukio FUJIMOTO | ShugoArts
Yukio FUJIMOTO

Born in 1950 in Nagoya and currently residing in Osaka, Japan. Yukio Fujimoto studied electronic music at Osaka University of Arts. He engages in performances and installations utilizing electronics. Since presenting his first sound object in the mid-1980s, he has developed a unique artistic direction. He exhibited his works at the Venice Biennale in 2001 and 2007. Through his creations, he continues to challenge auditory and visual perception, provoking the viewer’s awareness and expanding their sensory experience.

 

Some of his notable solo exhibitions are STARS at ShugoArts (2017), The Tower of Time at Icon Gallery (Birmingham, 2009), +/- at The National Museum of Art, Osaka (2007), relations at The Museum of Modern Art, Wakayama (2007), and Audio Picnic at the Museum 1/10—10/10 at Otani Memorial Art Museum, Nishinomiya City (1997-2006). He has also curated exhibitions such as Curatorial Studies 12: Fountain 1917-2017, Case 2: He CHOSE it. at The National Museum of Modern Art, Kyoto (2017), and DOMANI: The Art of Tomorrow PLUS x Hibiya Library and Museum at Hibiya Library and Museum (2017).