Atsushi Yamamoto “Video Hut” / ShugoArts Show

Sat, 29 JulySat, 9 September, 2023
ShugoArts Roppongi

Atsushi YAMAMOTO, A swimming person, 2023, UHD

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Atsushi YAMAMOTO, A swimming person, 2023, UHD

The reason why I am attracted to video as an art medium is that I can transfer my life into it as one expression, as a record.
I also like the fact that video = light, and the presence or absence of light = the presence or absence of existence.
Not being a physical object, but being a phenomenon. So, in the end, you could say that I continue to move around the periphery of “ontology” through the creation of my video works.
Perhaps it is appropriate for my videos to be shown in a temporary “hut” rather than in a permanent space.

May 2023 Atsushi Yamamoto

About Exhibition

There is no vanity in Atsushi Yamamoto’s works.
Yamamoto often says that he is a reactionary body. His own reactions, caused by the environment, are his own thoughts and feelings that exist as certain phenomena. He chooses video as a medium to make them exist in the material world. Therefore, all of Yamamoto’s seemingly nonsensical works are fragments of reality as perceived through his own mind.

ShugoArts

Atsushi YAMAMOTO, The Film Hut, 2017-2023, UHD

On weekdays, Yamamoto works for a non-profit organization to serve society. He comes home to spend time with his wife, children, and parents. On weekends, he creates his artworks alone or with fellow artists, sometimes involving his family. The number of works he has created and accumulated has reached 291. He says that the time he spends filming is the best moment when his “life takes root.” During filming, things often don’t go as planned. There are things that are inadvertently captured without his knowledge. Even so, he takes everything he sees in the videos as his own and makes it into a work of art. There are no boundaries between everyday life, art, and life for Atsushi Yamamoto. That is why Yamamoto’s works are grounded and beautiful, including their comedic and tragic elements.

ShugoArts

Atsushi YAMAMOTO, The ghost from the city of ghosts, 2019-2023, UHD

Video Hut is a project to showcase Yamamoto’s works once a year on a large screen. This year, the front room of the gallery will be used as a dark room for the screening of seven films. The back room of the gallery will be used to display drawings by Masaya Chiba and works by Masato Kobayashi and others. Please stop by ShugoArts for a summer lull.

June 2023 ShugoArts

Information

Atsushi Yamamoto "Video Hut" / ShugoArts Show
Artsits

Atsushi YAMAMOTO, Masaya CHIBA, Masato KOBAYASHI

Dates

Saturday, 29 July – Saturday, 9 September 2023

Venue

ShugoArts

Hours

11am ‒ 6pm, Closed on Sun, Mon and Public Holidays

Curated by Minako Ishii

Supported by BenQ Japan

Atsushi YAMAMOTO | ShugoArts
Atsushi YAMAMOTO

Atsushi Yamamoto was born in Tokyo in 1980. After graduating from the Department of Painting at Tama Art University, he moved to Berlin in 2003 and started creating video works. In 2018, he stayed in Hue, Vietnam as a part of The Program of Overseas Study for Upcoming Artists organized by The Agency for Cultural Affairs. Working as an office worker during the week and filming on his days off, he has produced more than 300 video works. His diverse works include social fiction, personal documentaries, and comedic experimental videos that question the meaning and meaninglessness of life.
Selected exhibitions: “A Solitary Emotion”, Koganecho Bazaar 2024, Yokohama(2024); “A yesterday’s temple”, Art Center Ongoing, Tokyo(2024); “MY HOME IS NOT YOUR HOME”, ShugoArts, Tokyo (2022); “DOMANI: The Art of Tomorrow” Exhibition 2021, The National Art Center, Tokyo(2021); “MAM Screen 007: Yamamoto Atsushi”, Mori Art Museum, Tokyo (2017-18); Video Art Programs [A Window to the World] The 24th Program, Hiroshima City Museum of Contemporary Art, Hiroshima, Japan(2011).

Masaya CHIBA | ShugoArts
Masaya CHIBA

Born in Kanagawa, Japan, in 1980. Currently lives and works in Tokyo. Chiba’s paintings are created through a process in which the artist actively engages with the objects of his choice as much as necessary; he extracts images from his surroundings and previous life events and reconstructs them on canvas while utilizing his handmade motifs. With his sophisticated skill set, Chiba can differentiate textures of various motifs in his paintings where he establishes a complex world combining pseudo-reality, pure artificiality and reality. While sincerely imprinting copious achievements of paintings of all times and places on his mind, the artist boldly disturbs the existing structure of contemporary art with his preferred medium, painting.

 

Selected exhibitions: Sideward Exhibition, ShugoArts, Tokyo, 2023; Masaya Chiba Exhibition, Tokyo Opera City Art Gallery, Tokyo, 2021; Assembridge NAGOYA, Former Minato Dormitory of Nagoya customs, Nagoya, 2019; Painting and …, Gallery αM, Tokyo, 2018; Perry Rhodan and my life, Art Center Ongoing, Tokyo, 2018; MAM Collection 006: Materials and Boundaries – Handiwirman Saputra + Chiba Masaya, Mori Art Museum, Tokyo, 2017; What to Do With Memories by Utilizing Things Such as Indirect Lighting in Light Box Style, Yatsuzaki Halo, Feeling of Wanting to Kiss, Family Story, Sagamihara Stone Burger, Forget Medusa, and Element 50m Ahead, ShugoArts, Tokyo, 2017; Discordant Harmony, Hiroshima City Museum of Contemporary Art, Hiroshima, 2015 (Travelled to Seoul and Taipei); Roppongi Crossing 2013: OUT OF DOUBT, Mori Art Museum, Tokyo, 2013

Masato KOBAYASHI | ShugoArts
Masato KOBAYASHI

Masato Kobayashi was born in Tokyo in 1957. He was the Japanese representative of the 1996 São Paulo Bienniale. In 1997, invited by Jan Hoet, he traveled to Europe, and continued to create works in various locations while based in Ghent, Belgium. Kobayashi returned to Japan in 2006 and began working based in Tomonoura, Fukuyama City, Hiroshima. He was also a professor at the Tokyo University of the Arts from 2017 to 2023. He has developed a unique technique of applying color by rubbing it into the canvas while supporting the fabric with one hand, simultaneously stretching it over the wooden frame to bring the painting to life and “aiming for a painting that does not lose its essence by merely existing.” Kobayashi has prolifically produced paintings that possess a form and unique brightness that can only emerge from that specific situation.

 

Selected solo exhibitions: “About Freedom”, ShugoArts, Tokyo, 2023; “Family of this Planet”, ShugoArts, Tokyo, 2021; “Artist and the Model”, ShugoArts, Tokyo, 2019; “ART TODAY 2012”, Sezon Museum of Modern Art, Nagano, 2012; “MASATO KOBAYASHI – The Paint of the Planet”, Nariwa Museum, Okayama, 2009; “Starry Paint, stars of outer space by pure painting”, Tensta Konsthall, Spanga, Sweden, 2004; “A Son of Painting Masato Kobayashi”, S.M.A.K., Ghent, 2001; “KOBAYASHI Masato”, The Miyagi Museum of Art, 2000.

Publications: Masato Kobayashi MK, HeHe, 2024; The autobiographical novel trilogy, Paint of this Planet—Under the tree at Hitotsubashi University, ART DIVER, 2018; Paint of this Planet—Duifhuisstraat 52, ART DIVER, 2020

Selected Public Collections: Iwaki City Art Museum (Iwaki, Japan). The Miyagi Museum of Art (Sendai, Japan). The Museum of Contemporary Art Tokyo (Tokyo, Japan). The National Museum of Modern Art, Tokyo (Tokyo, Japan). Utsunomiya Museum of Art (Utsunomiya, Japan). S.M.A.K. The Municipal Museum of Contemporary Art (Ghent, Belgium). The Vangi Sculpture Garden Museum (Shizuoka, Japan)