MY HOME IS NOT YOUR HOME

Sat, 23 JulySat, 3 September, 2022
ShugoArts Roppongi

Atsushi YAMAMOTO, A House for a Tree, 2019-2022, UHD, 11min. 30sec.

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Atsushi YAMAMOTO, A House for a Tree, 2019-2022, UHD, 11min. 30sec.

Does my “home” really belong to me?

 

Does my own body, which is a reactant, belong to me?

 

Who does the nation belong to?

 

Is the “home” included within society?

 

Are citizens included within the nation?

 

When I come to question whether my home is in fact my home,

how likely is it that my home may be your home?

Atsushi YAMAMOTO, 2022

About Exhibition

ShugoArts is pleased to present Atsushi Yamamoto’s first solo exhibition at the gallery. After graduating with the Painting Department at Tama Art University in 2003, Yamamoto had stayed for some time to Berlin in hopes to explore his prospects as an artist. During this time he encountered an exhibition by Bruce Nauman, and was greatly inspired by Nauman’s method of approaching art as an on-going act as opposed to a finished product. Thereafter, Yamamoto shifted his practice from painting to the world of video art based on the idea that, “It is not about how the work looks, but what has been done. The focus is on WHAT rather than HOW. Attitude rather than quality.” Fueled by his “desire” to “witness what I really want to see,” he has continued to work enthusiastically while employing all manner of materials in his surroundings, as a result producing more than 200 video works over the past 15 years.

ShugoArts

Atsushi YAMAMOTO, The Dream House, 2018-2022, UHD, 14min. 42sec.

ShugoArts

Atsushi YAMAMOTO, The Luminous Tree, 2021-2022, UHD, 5min. 45sec.

In 2018, for a period of one year, Yamamoto resided in Hue, Vietnam with his family, seeking a certain departure from his stable daily cycle. In this land, which faced economic and generational change as traditional communities and the wounds of war gradually faded, Yamamoto came to realize that his own desire to produce work was not something that was exclusively independent, but instead a “reaction” variously instigated by the environment. After returning to Japan, Yamamoto soon found himself in the midst of the pandemic. As former standards of everyday life was no longer the norm across the world, and the means by which one connects with others had drastically changed, Yamamoto was led to closely consider and confront the reactions that occurred, as he remained isolated in his home. As a result, he arrived at the keyword of “home,” and in an attempt to reframe various relationships, perceived it as the boundary between multiple concepts such as individual and individual, individual and nation, individual and the earth, rather than simply considering its physical aspects. Featured in this exhibition is a selection of video works produced in Vietnam and in Japan during the pandemic, which present various interpretations and renditions of the “home,” such as the home as a place to return, a “dream house,” and homes for non-human beings.

ShugoArts, May 2022

ShugoArts

Atsushi YAMAMOTO, A House for a Tree, 2019-2022, UHD, 11min. 30sec.

Information

Atsushi YAMAMOTO "MY HOME IS NOT YOUR HOME"
Dates

Saturday, July 23 – Saturday, September 3, 2022  *Summer Holidays: Sunday, 14 August – Monday, 22 August

Venue

ShugoArts

Hours

12am ‒ 6pm, Closed on Sun, Mon and Public Holidays

Supporter

BenQ Japan

Equipment provision

Masayuki Miyaji, Soulful Brothers

Technical supporter

The Institute of Art, Okutama

Curated by Minako Ishii

The opening reception will not be held this time. Due to the COVID-19 outbreak, we have shortened our opening hours.
Atsushi YAMAMOTO | ShugoArts
Atsushi YAMAMOTO

Atsushi Yamamoto was born in Tokyo in 1980. After graduating from the Department of Painting at Tama Art University, he moved to Berlin in 2003 and started creating video works. In 2018, he stayed in Hue, Vietnam as a part of The Program of Overseas Study for Upcoming Artists organized by The Agency for Cultural Affairs. Working as an office worker during the week and filming on his days off, he has produced more than 300 video works. His diverse works include social fiction, personal documentaries, and comedic experimental videos that question the meaning and meaninglessness of life.
Selected exhibitions: “A Solitary Emotion”, Koganecho Bazaar 2024, Yokohama(2024); “A yesterday’s temple”, Art Center Ongoing, Tokyo(2024); “MY HOME IS NOT YOUR HOME”, ShugoArts, Tokyo (2022); “DOMANI: The Art of Tomorrow” Exhibition 2021, The National Art Center, Tokyo(2021); “MAM Screen 007: Yamamoto Atsushi”, Mori Art Museum, Tokyo (2017-18); Video Art Programs [A Window to the World] The 24th Program, Hiroshima City Museum of Contemporary Art, Hiroshima, Japan(2011).